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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of synth-pop.

He later formed the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his sleep at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.

"I managed to damage myself significantly," he commented in 2023. "I fractured spinal bones in my back and cracked about multiple ribs and broke my wrist."

Following catching pneumonia and suffering from blood poisoning, he was put in an induced coma and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he worked on a new album with Almond, titled Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and so happy with the new album that we actually finished only a few days ago," said the singer in a tribute.
"It's so sad as next year was all set to be such an positive time for him, and I find comfort from the fact that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his bandmate as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is different from being in a band, the bond is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister his sister, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved musician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a fascination with synthesizers after watching Kraftwerk perform on BBC program Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, selling millions of units globally. Alongside successful tracks by other artists, Human League and electronic acts, it contributed to cleared the path for the electronic music style of the 80s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's death

Career Highlights

Fame had its upsides. "I enjoyed being able to afford my initial property, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches allowed we could afford newfound drugs to relieve the boredom" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a cliché for a valid cause, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they succeeded to produce a second memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following a further break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on September 30, 2018.

However, they remained together, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately described the band's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He noted that his period in hospital had shaped the group's music.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he explained to a publication.
"The new songs are a electronic representation of the noises in my head from that time.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."

The last versions were finished only days before Ball passed away. It is due for launch in Spring 2026.

EO
The writer

Erica Oconnell

Elara Vance is a cultural geographer and writer fascinated by patterns of chance in urban environments.

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